The Dinner Party
'He reflected in future retrospect on the evening and foretold every gesture, every word. "I can't do it," he said. "I can predict everything that will happen from the moment they arrive to the little kiss on the cheek goodbye and I just can't goddamn do it."'The Dinner Party immerses us in the comic and strange realities of modern life, as we journey through the lives of the unlovable, the unloved, and those who love too much: Jack, who nervously tries to befriend the surly removal man by buying him a latte and a croissant; Sarah, who endlessly imagines how her evening would have been better had she only chosen a different restaurant; Joe, who spends a night alone at the office and surreptitiously starts to rearrange his colleagues' belongings.These are stories about the infinite possibilities of a person's life, from an agonizingly funny and original writer.
Enormously enjoyable . . . Ferris really nails contemporary insecurity -- Lionel Shriver * Financial Times * The stories are constructed with great care, combining beady-eyed observation with farce, black comedy and occasional moments of lyricism -- Marcel Theroux * Guardian * In this egregiously entertaining collection of short stories, Ferris tackles the most enervating range of emotions - despair, doubt, anxiety, humiliation - as his doleful characters trawl New York * Mail on Sunday * A magnificent black carnival of discord and delusion ... For some accomplished novelists-and Ferris is one of the best of our day-short stories are mere doodles, warm ups or warm downs, slight variations on themes better addressed at length. Not so for Ferris. Dynamic with speed, yet rich with novelistic density, his stories make "The Dinner Party" a full-fledged feast, especially for readers with a particular taste for the many flavors of American crazy. * New York Times * Ferris's three novels have earned him a reputation as a high-concept high-wire artist, always working the line between comedy and tragedy, the domestic and the outlandish. His stories, by comparison, are compact gems of timing and everyday absurdity, and finally, here they are in one place. Hollywood satire, marriage-ending secrets, cracked minds, broken families: Ferris renders contemporary life as a parade of sad clowns. * New York Magazine, Top 10 Spring Books preview * A collection that show[s] humanity at its most awkward and insightful. * New York Observer, 10 Most Anticipated Books of Spring * Ferris has a sure hand when it comes to the nuances of interpersonal relationships. He knows the thin line between awkward and easy, and when silence between two people can be a sign of strain or comfort. Ferris walks this territory so well that we often see our own complicated selves reflected in his writing... Though Ferris' assured collection may seem laced with hints of despair, the stories are full and rounded, sad but often also tinged with humor and rich in empathy. * Booklist * Ferris has mastered a kind of fictional sucker punch, and he'll get you every time. * Kirkus * [These stories] explore the fraying psychologies of their protagonists by way of dark humor and understated tragedy. In the excellent, surreal title story, the fissures in a childless couple's marriage become unbridgeable divides after their close friends fail to attend a dinner party... [they] contain moments of sharp levity and intense insight, reminders of the heights the author can achieve when he is able to sustain his immense talent * Publisher's Weekly * One of the most anticipated books of 2017... the Dinner Party explores an array of emotions from a deeply human perspective. * The Week * Ferris is an incisive observer, and his descriptions of even the most quotidian situations are elegant and fresh * USA Today * Ferris finesses the line between tragedy and comedy, and his sly wit often surfaces in sarcastic, offbeat ways . . . The Dinner Party provides a fine showcase for his work * NPR * This season's standout short-story collections are masterful exercises in brevity, proving that sometimes less really is more.... Novelist Joshua Ferris returns with his first, highly anticipated story collection. Each entry showcases his customary wit and understanding * WSJ Magazine * [With] flashes of transcendence ... Ferris's specialist area is modern American crassness * Sunday Times * Ferris' characters may be flawed, but his writing is flawless * Tatler * Each of these stories is a well-crafted, tightly wound piece of short fiction that often springs with a delightful, sometimes moving precision * Times Literary Supplement * Ferris wittily skewers both middle-class social life, and its would-be dissenters. He has a brilliantly sharp eye for the manners and mores of 21st-century metropolitan society, and is a master of discomfort. . . Like F Scott Fitzgerald before him, Joshua Ferris shines an unforgiving light on the jittery pursuit of happiness, and 'the growing anxiety of never arriving at what was always just out of reach' -- Craig Brown * Mail on Sunday * At turns arresting and hilarious. Ferris excavates relationships, interactions, missteps, and misunderstandings to form a collection of work you'll want to return to again and again * Southern Living * Most of the characters are comparatively sane, but no less deliciously ghastly -- Lionel Shriver * Observer Books of the Year * Anxiety, self-consciousness and humiliation are the default inner states of the characters in these 11 stories * New York Times Books of the Year *
Joshua Ferris was born in Illinois in 1974. He is the author of Then We Came to the End (2007), which was nominated for the National Book Award and longlisted for the Guardian First Book Award, and the highly acclaimed The Unnamed. In 2010 he was selected for the New Yorker's prestigious '20 under 40' list. In 2014 To Rise Again at a Decent Hour won the Dylan Thomas Prize and was shortlisted for the Man Booker Prize. He lives in upstate New York.